Rupkatha Journal, Vol. 1, No. 2, 2009

CONTENTS		PDF Pages
Editorial PHP Version | PDF Version		101-102
CRITICISM
“The Noble Savage and the Civilised Brute: Nature and the Subaltern Angst in Swarup Dutta’s Machh Master (The Expert Angler) Sajalkumar Bhattacharya PHP Version | PDF Version		103-114
Finding the voice of the Peasant:  Agriculture, Neocolonialism and Mulk Raj Anand’s Punjab trilogy Jonathan Highfield PHP Version | PDF Version		115-133
Rabindranath Tagore’s English Prose: “Some Qualities of Permanence” Fakrul Alam PHP Version | PDF Version		134-149
Aesthetics of Indian Feminist Theatre Anita Singh PHP Version | PDF Version		150-170
Representation of Indigenous Women in Contemporary Aboriginal Short Stories of Australia and India: A Study in Convergences and Divergences Indranil Acharya PHP Version | PDF Version		171-179
Giving the Lie: Ingenuity in Subaltern Resistance in Premchand’s short story ‘The Shroud’ Somdev Banik PHP Version | PDF Version		180-185
PERSPECTIVE
Exile Literature and the Diasporic Indian Writer Amit Shankar Saha PHP Version | PDF Version		186-196
CREATIVE
Painting and Illustrations Soumitra Mondal PHP Version | PDF Version		197-200
BOOK REVIEW
Book Review: Ruth Vanita and Saleem Kidwai ed. Same-Sex Love in India: A Literary History Jaydeep Rishi PHP Version | PDF Version	201-204
About the Contributors                        PHP Version | PDF Version	205-207

New Call for Vol 2, No 1

Visual Arts in the 21^st Century

In the wake of the digital revolution and globalisation policies the whole world is witnessing formation of certain conditions which are having and will continue to have tremendous impact on the production, reproduction, access, dissemination and appreciation of visual arts. While the old art forms and artworks are being revisited and reproduced in wholly new ways and for a variety of purposes, new types in the forms of digital arts are surfacing not only on the internet but also every place of our visual culture. The place and workplace of the artist also has undergone a radical change. The artists are themselves very keen to define their position globally as the web makes it possible, and along this they are also ready to take up social and political challenges (as always was the case).

Like convergence in all other fields, in the sphere of visual arts we are also witnessing a convergence of all the art forms in the case of computer games. With 2D video games giving way to highly complex PC games, we find attempts at accommodating real-life 3D experiences and complex situations into the digitally recreated virtual reality. In combination with the web a professional team of experts has been able to create virtual worlds, where millions of people—irrespective of age, gender, class, caste and race—have started ‘living’. This kind of converged art is allowing the reader/player/resident the highest ever freedom not only to enter the ‘text’ but also to modify and manipulate it up to a certain limit.

Keeping in mind this kind of situation we are inviting critical writings on a variety of areas. While we are open to the suggestion from the writers for the inclusion of any particular area, for their convenience we are giving below a list of probable areas for submission:

i.              Aesthetics of digital arts

ii.             Aesthetics of photography

iii.            Aesthetics of website design

iv.            Our visual culture—sociology/psychology of the need for the visual

v.             Sociology of the reproduction of old art forms and art objects

vi.            21^st century artist and the digital technology

vii.           Video and Cinema on the Web

viii.          Artist and the global politics

ix.            Viewers as users

x.             Gender and visual arts today

xi.            Focus on any artist/tradition from new perspective

xii.           Open Access and Fair Use Policies and Visual arts

For submission of critical writings, please send:
* Completed article (3000-5000 words)
* Abstract (100-200 words)
* 3 to 5 Keywords
* Brief CV
For submission of creative works, please send:
* Analytical Description of Works (2000-3000 words)
* Maximum 5 images in JPG format, at least 800 pixels wide or tall.
* Abstract (100 words)
* 3 to 5 Keywords
* Brief CV


Website address: www.rupkatha.com
Visit to know more about the journal and the submission process: http://www.rupkatha.com/submissionguidelines.php
Please send submissions and queries to: editor@rupkatha.com
DEADLINE FOR SUBMISSIONS: December 31, 2009

The inaugural issue of Rupkatha Journal

The inaugural issue of Rupkatha Journal on Interdisciplinary Studies in Humanities (Summer Issue, Number 1, 2009) has been published. Please visit the journal and send your suggestions for improvement. The next issue will be a special one on on visual arts.

http://rupkatha.com/issue0109.php

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